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plumpdeadmind:

Laurina Peperina, Fouladi Projects in San Franfisco
Ashley Williams ss15
vuls:

Victoria Haven 
If all in all is true, 2009 Watercolor on gampi paper32.25” x 57”
tooombz:

Felix Gonzalez-TorresUntitled (Perfect Lovers) 1991. Clocks, paint on wall.
Untitled (Perfect Lovers) consists of two clocks, which start in synchronisation, and slowly, inevitably fall out of time due to the failure of the batteries and the nature of the mechanism. In a moving comment on his personal experiences, the piece refers to Gonzalez-Torres’ HIV positive partner Ross Laycock, and his slow decline and inevitable death due to AIDS. The clocks act as two mechanical heartbeats; representative of two lives destined to fall out of sync, and holds a poignant poetry about personal loss and the temporal nature of life.
“Don’t be afraid of the clocks, they are our time, time has been so generous to us…We conquered fate by meeting at a certain time in a certain space…we are synchronized, now forever. I love you.”
pricebullington:

Yue Minjun
One has to take a somewhat bold and dangerous line with this existence: especially as, whatever happens, we are bound to lose it.
Friedrich Nietzsche, Untimely Meditations  (via whyallcaps)

(via whyallcaps)


eric wert
furples:

Obsession MagazinePhotographer: Julia Noni (Chris Boal Artists)Model: Ajak Deng
blastedheath:

Andy Warhol (American, 1928-1987), Hammer and Sickle, 1977. Synthetic polymer paint and silkscreen on canvas, 38 x 48 cm.
escapingblue:

Marc Sebastian Faiella & Valter Torsleff | Saint Laurent FW13.
lavintagious:

Raf simons ss14 yoga wet and wild
pixography:

Yue Minjun
It’s a most distressing affliction to have a sentimental heart and a skeptical mind.
Naguib Mahfouz (via yourdreamstocatch)

(Source: rabbitinthemoon, via belladonnaofsadness)

blastedheath:

Ola Billgren (Swedish, 1940-2001), Balkong [Balcony], 1967. Oil on canvas, 51 x 36 cm.
theme